Nicole Chesney

Glass Art

Menu
  • Selected Works
  • Selected Commissions
  • About the Artist
  • Artist Statement
  • Curriculum Vitae
  • Contact
  • News
Luxe Design

Luxe Design

Luxe. Interiors + Design

Blush silk velvet from Jim Thompson Fabrics covers the walls in the foyer, which is furnished with a channel-back settee from Hickory Furniture. Created using layers of oil paint on etched mirrored glass, the artwork by Nicole Chesney is from Gallery NAGA in Boston.

Culture Abounds In An Urban Northeast Getaway

By Tate Gunnerson
May 6, 2019

A Renaissance couple: There’s no better way to describe the husband and wife who hired designer Lisa Tharp to renovate their recently purchased, turn-of-the century urban apartment in the Northeast. In fact it was their passion for literature, science and art that guided Tharp’s concept. “This was an opportunity to showcase who they are–to reflect their intellect and quiet sophistication,” Tharp says. “In every room, there’s something to stimulate conversation and inspire curiosity.”

Read more here.

More of Lisa Tharp’s designs here.

New York Times

New York Times

Nicole Chesney mentioned in The New York Times

A Couple with a Glass-Filled House (No Stones, Please)

By Warren Strugatch
December 31, 2018

HEAD OF THE HARBOR, N.Y. — Harlan and Olivia Fischer discovered fine art in the early 1990s, an unexpected consequence of Mr. Fischer’s Jeep having been struck by a drunken driver and totaled.

Although his injuries were minor, Mr. Fischer, a financial planner, said the crash required him to undergo extensive rehab and got him thinking. “I realized that, had I been killed, I wouldn’t have left much of an imprint” outside of business, he said.

After the accident, the Fischers, of Head of the Harbor, N.Y., threw themselves into volunteer work for organizations including the Smithtown Township Arts Council. Mrs. Fischer retired early from her job in human resources at Northport Veterans Affairs Medical Center, and devoted more time to these pursuits. By the mid-90s they were regularly purchasing works by painters they met through the arts council, including Agnes de Bethune and John Dorish.

They still buy oils and acrylics in styles ranging from Abstract Expressionism to photorealism. But one day in 1995, on a visit to a friend in nearby Nissequogue who’d remodeled his garage around his growing glass collection, they found a new focus. “The minute the two of us saw his glass art, we thought it was great,” Mrs. Fischer said.

Several weeks later they visited the Heller Gallery in Manhattan and bought their first glass object, “Solar Gray” by Michael Taylor, which consists of clear and black shardlike shapes radiating outward; it’s currently displayed in their bedroom.

The Fischers bought four or five more pieces over the next several weeks and didn’t stop there. In 2005, having run out of space, they commissioned a 2,000-square-foot addition to their contemporary home.

Their collection today exceeds 200 works and features artists including Lino Tagliapietra, Zora Pavlova, Dan Dailey and Laura Donefer.

The Fischers, who have no children, say they plan to give their collection to a museum someday, possibly a local one — “So we can see it when we want to,” Mr. Fischer said. In the meantime, Mrs. Fischer said, they continue to acquire pieces with a goal of upgrading their glass objects.

Mr. Fischer is a board member of various glass collectors’ groups, and the couple are founding members of the Ennion Society of benefactors at the Corning Museum of Glass.

They discussed their collection in a visit to their home on Long Island’s North Shore. Here are edited excerpts from the conversation.

This is quite a collection! How have you built it?

HARLAN FISCHER I find I either like a piece or I don’t. Generally I like pieces that are scaled large and display intense color. When Olivia and I started collecting glass, the feeling was similar to how I felt in high school when I discovered jazz. I heard a record of John Coltrane playing “My Favorite Things.” Epiphany!

OLIVIA FISCHER One of my favorites is “Aver 4,” by Nicole Chesney. To me it is bold and vibrant, at the same time ethereal with mysterious depth.

How do you acquire most of the art here?

MRS. FISCHER Most of our collection comes from galleries. We go to the SOFA [Sculpture Objects Functional Art and Design] exhibition almost every year. And a few pieces are purchased from friends.

MR. FISCHER We try not to walk into galleries as strangers. We usually acquire works by established artists. We listen to suggestions, too.

It must be challenging to move some of these pieces, yet you do it.

MR. FISCHER When we built the addition, we needed to move “Spiral of Life” [by Ivana Houserova] to a place between our dining room and our new gallery. We contacted Jitka Pokorna, who owned the gallery in Prague where we bought the piece. Coincidentally, she and her staff were about to fly to the SOFA exhibition in Chicago and were stopping over in Newark. We had a car pick them up at Newark and bring them here. That afternoon the four of them disassembled the piece, moved it, and reassembled it. It weighs at least 450 pounds.

How much does such a housecall cost?

MR. FISCHER They didn’t charge me anything. We had gotten several pieces from Jitka. Actually we got more pieces from her than anybody. When they were here, I asked what they wanted to eat and they all said “pizza” in unison. I guess the only word they all knew in English was pizza.

Did you get them pizza?

MR. FISCHER Yeah, I had pies delivered from a local place. They all chowed down. They stayed overnight and flew out to Chicago the next day.

Chesney_Limina_sidebyside_02

Limina in Private Residence

  • Limina

    Limina

    2019 (diptych)
    Each measures 82 inches by 60 inches
    Oil painting on acid-etched and mirrored glass
  • Limina

    Limina

    2019 (diptych)
    Each measures 82 inches by 60 inches
    Oil painting on acid-etched and mirrored glass

    Architectural Rendering
  • Limina

    Limina

    2019 (diptych)
    Each measures 82 inches by 60 inches
    Oil painting on acid-etched and mirrored glass

    Studio View
  • Limina

    Limina

    2019 (diptych)
    Each measures 82 inches by 60 inches
    Oil painting on acid-etched and mirrored glass

    Left Panel View
  • Limina

    Limina

    2019 (diptych)
    Each measures 82 inches by 60 inches
    Oil painting on acid-etched and mirrored glass

    Right Panel View